"THE ALBUM WILL LAST. THE SLEEVE MAY NOT."
The obscenity case was heard at Nottingham Magistrates' Court on 24 November. When the overseeing magistrate inquired about his line of questioning, the barrister stated that a double-standard was apparently at play and that "bollocks" was only considered obscene when it appeared on the cover of a Sex Pistols album. The prosecutor conducted his cross-examination "as if the album itself, and not its lurid visage, was on trial for indecency". The chairman of the hearing was forced to conclude:"Much as my colleagues and I wholeheartedly deplore the vulgar exploitation of the worst instincts of human nature for the purchases of commercial profits by both you and your company, we must reluctantly find you not guilty of each of the four charges."
The Nevermind album cover shows a baby boy, alone underwater with a US dollar bill on a fishhook just out of his reach. The whole image promotes the idea that the entire human race is born with preconceived ideas that allow for the running of a capitalist society - even as innocent, virtuous babies we know to gravitate towards money. According to Cobain, he conceived the idea while watching a television program onwater births with Dave Grohl. Cobain mentioned it to their art directorRobert Fisher who then sent a photographer to a pool for babies to take pictures. Five shots resulted and the band settled on the image of athree-month-old infant named Spencer Elden. However, there was some concern because Elden's penis was visible in the image. Geffen prepared an alternate cover without the penis - as they were afraid that it would offend people - but retracted the changes when Cobain made it clear that the only compromise he would accept was a sticker covering the penis that would say, "If you're offended by this, you must be a closet paedophile."

In the mockumentary, the original cover of Smell The Glove, according to recording company representative Bobbi Fleckmann featured "a greased, naked woman on all fours with a dog collararound her neck and a leash, and a man's arm extended out...holding on to the leash and pushing a black glove in her face to sniff it." Fleckmann suggests that the cover is sexist, leadingband member Nigel Tufnel to wonder, "what's wrong with being sexy?". The production company, Polymer Records, ultimately refused to release the cover because of pressure from retailers such as Sears and Kmart and gave the album a solid black cover instead. The cover for Is This It was included in the book The Greatest Album Covers of All Time, in which Grant Scott,concluded, "It’s either a stylish or graphically strong cover or a sexist Smell the Glove travesty." Ironically, The Strokes album cover also created a similar amount of controversy. Although British retail chains HMV and Woolworths objected to the photograph's controversial nature, they stocked the album without amendment.
Alike Nirvana, The Strokes deliberately left out the grammatically correct question mark from the album title because aesthetically, "it did not look right". For the American market and the October 2001 release, the cover art of Is This It was changed to a psychedelic photograph of subatomic particle tracks in a bubble chamber. According to the band's manager, frontman Julian Casablancas phoned him before the Japan and Europe release and said, "I found something even cooler than the a** picture." Later though, the band admitted that they changed the US cover in fear of receiving a 'Smell The Glove' reaction from America's conservative retail industry.
