The first mistake with art is to assume that it's serious.

Thursday, 6 November 2014

REVIEW: Van Morrison - Astral Weeks

Astral Weeks and Self-Rediscovery...

So, it’s been just over a year since I posted the last article on this blog and well – it’s been one hell of a year. During this period which I chose to name a ‘gap year’ – an artificial creation put in place to give those around me the potentially false hope that I’m still planning on going to University whilst in actual fact immersing myself in 365 days’ worth of pubs, clubs, romance and drug dependency… it seems I needed this time to rediscover myself and rekindle my romance with music.

Despite popular belief, drugs and music don’t go quite as ‘hand in hand’ as you’d first imagine, certainly not the ones that primarily go up your nose anyway. In fact they’re merely there to fill in the void that perhaps music once did, fundamentally numbing your brain and the senses in a robotic fashion in turn making only repetitive, electronic sounds seem appealing to you. Because of this mind-numbing process, music and I have been avoiding each other for quite a while now – something which I once would have believed to be impossible. Despite this, throughout the year’s ongoing struggle, there has always been at least one light throughout the storm. One comfort I could always turn to when there was nothing else. An album which ultimately I owe my life to… and that is Van Morrison’s Astral Weeks.

The album itself is one of those creations which is so simple and beautiful that I almost feel I’m diminishing its importance by even talking about it; there’s this voice in my head telling me to scrap this whole article and yell “JUST LISTEN TO IT!” at the top of my lungs. Though the album only consists of eight songs, each one is so intricately crafted and timed to surge up through crescendo after crescendo, completed by minute yet incredibly essential details such as that Spanish guitar you can hear dwindling in the distance or the almost mystical sound of the triangle twinkling after every eight bars. There really are no fillers on this album.

The peak of Astral Weeks comes three songs in with arguably the most magical, stunning four minutes and ten seconds to exist in the stratosphere, Sweet Thing. After the self-titled introduction and the passionate and captivating rendition of Beside You, the gentle beginning chords of Sweet Thing sweep in like a breath of fresh air eliminating all tension created by the previous songs… or in fact created by any other previous personal disasters and heartaches. In that moment, Sweet Thing is the cure to all man’s problems. Everything in life suddenly seems like such a tiny detail in the big picture. All that matters now is the beauty and simplicity of this song and Morrison reminding us that ‘we shall never grow so old again’.


The moment which made me realise the significance of this album in my life was almost six months ago now. I recall a seventeen year old me sitting in my bedroom home alone with nothing but two grams of cocaine to keep me company - which I'd bought in advance of my birthday, however the temptation had become too much. Only two months before, my neurotic and reckless best friend aka my dad – the very person who introduced me to Astral Weeks and whose favourite record is also this very album – had been involved in a motorbike accident leaving him lying in a hospital bed in the next county, unaware if he would ever be able to walk again. As I racked up another line on the mirror I had in front of me, I contemplated this saga whilst playing my favourite album. It was as I was googling how much paracetamol I would have to consume to effectively end this saga that Morrison sung the words…

‘And if it gets to you
And you feel like you just can't go on
All you gotta do
Is ring a bell
Step right up, and step right up
And step right up
Just like a ballerina’.



And with that, I closed the tab, plugged my nose and sniffed up approximately 0.25g of self-confidence and continued allowing myself to think the words “YES! I AM INCREDIBLE AND THE WORLD NEEDS ME.”. After reaching the high of my self-assurance though, it was then that I realised Astral Weeks had saved my life.



That was six months ago and since then I had given up on music. Well, I gave up on *in a pretentious, arrogant typically hipster tone* real music. From then on, my mephedrone fuelled mind had decided that trance, dubstep and dnb were where my real passion lies, it soon going on to become the soundtrack of my monumentally fucked up summer. Amidst months of succumbing to the small town I live in; wearing trackies, roaming from house party to house party, falling in love, falling in hate, insanity, heartbreaks, drug dependency, fall outs and mistakes… it was when this romance ended – only three weeks ago may I add – that I find myself returning once again to Astral Weeks to gracefully bring me down from this high by reminding me that reality is not so bad after all.


Lyrically, this album is on the verge of being near impossible to decipher yet this never becomes an obstacle in its appeal. For some reason, it doesn’t seem important for us to know what Astral Weeks means; all that needs to be understood is that it means something to us. Whether it be a person, a time or a place, Astral Weeks possesses that magical power to evoke different emotions and memories from each and every one of us, making it one of the most personal records you will ever grace your ears with.

10/10